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By McDougal Littell

Pupil Textbook on British Literature (Grade 12)

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726 girl Orations Margaret Cavendish . . . . . . . . . . . . . 462 Preface to the 1st variation of Le Morte d’Arthur William Caxton . . . . . . . . . . . . . . . . . . . . . . . . . 258 The Prince Niccolò Machiavelli . . . . . . . . . . . . . . . . . 444 capturing an Elephant George Orwell . . . . . . . . . . . . 1226 The Spectator Joseph Addison . . . . . . . . . . . . . . . . . . 588 A Vindication of the Rights of girl Mary Wollstonecraft . . . . . . . . . . . . . . . . . . . . . . 706 The White-Collar Blues Bob Herbert . . . . . . . . . . . . . 1027 Meditation 17 John Donne . . . . . . . . . . . . . . . . . . . . 514 not more Strangers Now: younger Voices from a brand new South Africa Interviews . . . . . . . . . . . . . . . 1332 Speech earlier than the Spanish Armada Invasion Queen Elizabeth I . . . . . . . . . . . . . . . . . . . . . . . . 440 The Speeches, might 19, 1940 Winston Churchill . . . . . . 1264 (continued) phrases and behaviour Aldous Huxley . . . . . . . . . . . . . 1240 xxxiii Selections via style poetry the girl of Shalott Alfred, Lord Tennyson . . . . . . . . . . 908 Ah, Are You Digging on My Grave? Thomas Hardy . . . . 1052 traces Composed a number of Miles Above Tintern Abbey William Wordsworth . . . . . . . . . . . . . . . . . . . . . . 782 Barbara Allan nameless . . . . . . . . . . . . . . . . . . . . 212 The Lorelei Heinrich Heine . . . . . . . . . . . . . . . . . . . . 774 The Canterbury stories Geoffrey Chaucer . . . . . . . . . 138, 276 Musée des Beaux Arts W. H. Auden . . . . . . . . . . . . . . . 1150 Childe Harold’s Pilgrimage George Gordon, Lord Byron . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 838 My final Duchess Robert Browning . . . . . . . . . . . . . . . 924 Composed upon Westminster Bridge, September three, 1802 William Wordsworth . . . . . . . . . . . . . . . . . . . . . . 790 impartial Tones Thomas Hardy . . . . . . . . . . . . . . . . . 1064 Crossing the Bar Alfred, Lord Tennyson . . . . . . . . . . . . 921 The Nymph’s respond to the Shepherd Sir Walter Raleigh . . 308 The Darkling Thrush Thomas Hardy . . . . . . . . . . . . . 1048 Digging Seamus Heaney . . . . . . . . . . . . . . . . . . . . 1278 don't cross light into That solid evening Dylan Thomas . . 1158 Dover seashore Matthew Arnold . . . . . . . . . . . . . . . . . 1034 Dreamers Siegfried Sassoon . . . . . . . . . . . . . . . . . . 1223 Elegy Written in a rustic Churchyard Thomas grey . . . 678 Eve’s Apology in protection of girls Amelia Lanier . . . . 468 The Naming of Cats T. S. Eliot . . . . . . . . . . . . . . . . . 1099 no longer Waving yet Drowning Stevie Smith . . . . . . . . . . . 1290 Ode on a Grecian Urn John Keats . . . . . . . . . . . . . . . . 866 Ode to a Nightingale John Keats . . . . . . . . . . . . . . . . 868 Ode to the West Wind Percy Bysshe Shelley . . . . . . . . . 850 On Her Loving both Aphra Behn . . . . . . . . . . . . 688 On My First Son Ben Jonson . . . . . . . . . . . . . . . . . . . 516 Ozymandias Percy Bysshe Shelley . . . . . . . . . . . . . . . 846 Fern Hill Dylan Thomas . . . . . . . . . . . . . . . . . . . . . 1162 The Passionate Shepherd to His Love Christopher Marlowe . . . . . . . . . . . . . . . . . . . . . . 304 The Frog Prince Stevie Smith . . . . . . . . . . . . . . . . . . 1286 Pied attractiveness Gerard Manley Hopkins . . . . . . . . . . . . . . 942 wake up and Bar the Door nameless . . . . . . . . . . . . . 220 Porphyria’s Lover Robert Browning . . . . . . . . . . . . . . . 929 The hole males T. S. Eliot . . . . . . . . . . . . . . . . . . . . 1096 The Prelude, booklet VI William Wordsworth . . . . . . . . . . 882 Holy Sonnet 10 John Donne . . . . . . . . . . . . . . . . . . . 513 Preludes T. S. Eliot . . . . . . . . . . . . . . . . . . . . . . . . . 1092 The Horses Ted Hughes .

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